Watchmen #1 (1986, Alan Moore/Dave Gibbons)
Photo by Julian Tysoe from London, UK, via Wikimedia Commons. License: CC BY 2.0
Sometime in 1985, two British creators sat down to tell a story that would permanently change the way people thought about superheroes. Writer Alan Moore and artist Dave Gibbons didn't just make a comic book. They built a world, a mystery, and a philosophical argument wrapped in four-color ink. When Watchmen #1 hit newsstands on May 13, 1986, with a cover date of September 1986, it signaled the start of something the medium had never quite seen before. Nearly four decades later, it remains one of the most sought-after modern age comics in existence.
The Story Behind the Series
Watchmen began life as something quite different from what readers eventually got. Alan Moore originally pitched DC Comics a story using characters the publisher had recently acquired from Charlton Comics, including Blue Beetle, The Question, and Captain Atom. Moore's proposed narrative was so dark and so final that managing editor Dick Giordano realized it would render many of those characters unusable for future stories. He convinced Moore to create original characters instead.
That creative pivot turned out to be one of the most consequential decisions in comics history. Freed from the constraints of existing continuity, Moore and Gibbons built an entirely self-contained alternate world. The result was richer, stranger, and more ambitious than anything a licensed-character story could have been.
Moore handled the writing. Gibbons drew every panel. John Higgins colored the entire run. And Len Wein, himself a legendary creator (he co-created Wolverine and Swamp Thing), served as editor. The creative team remained consistent across all twelve issues, a rarity that gave the series an unusual artistic unity.
What Happens in Issue #1
The first issue, titled "At Midnight, All the Agents...," opens with one of the most memorable sequences in comic book history. The Comedian, a violent, government-sanctioned vigilante named Edward Blake, has been murdered. Someone threw him through his apartment window, and he fell to his death on the streets of New York City.
The investigation draws Rorschach, a masked vigilante who refused to retire when the government outlawed costumed heroes, back into the open. Rorschach believes someone is systematically targeting former superheroes, and he sets out to warn his old colleagues: the godlike Dr. Manhattan, the retired Nite Owl (Daniel Dreiberg), the second Silk Spectre (Laurel Juspeczyk), and the billionaire industrialist Ozymandias (Adrian Veidt).
The story unfolds against the backdrop of Cold War paranoia pushed to its breaking point. In this alternate 1985, the United States won the Vietnam War thanks to Dr. Manhattan's near-omnipotent powers. Richard Nixon is still president. And the Doomsday Clock is ticking closer to midnight.
Why It Changed Everything
Before Watchmen, mainstream superhero comics largely operated within a framework of good versus evil. Heroes were heroic. Villains were villainous. The formula worked, and it sold millions of copies every month.
Moore dismantled that formula piece by piece. His heroes were broken people. Rorschach was a paranoid sociopath with an unwavering moral code. Dr. Manhattan had grown so powerful he could barely relate to humanity. The Comedian was a nihilist who committed atrocities for the government. Ozymandias believed he was saving the world, even if it meant killing millions to do it.
Gibbons reinforced these themes through visual storytelling that was just as revolutionary. He used a strict nine-panel grid layout throughout the series, creating a sense of clockwork precision that mirrored the story's obsession with time, fate, and determinism. Recurring visual motifs, particularly the blood-stained smiley face that appears on the very first page, threaded through every issue.
The series earned recognition from Time magazine as one of the 100 best English-language novels published since 1923. The BBC called it "the moment comic books grew up." It won the Hugo Award in 1988, the first (and for a long time, the only) graphic novel to receive that honor.
Key First Appearances
Watchmen #1 is loaded with first appearances, which is a significant driver of its collectible value:
Rorschach (Walter Kovacs) - The masked detective whose shifting inkblot face became the series' most recognizable image
Dr. Manhattan (Jon Osterman) - The blue, god-like being who is the only character with actual superpowers
Nite Owl II (Daniel Dreiberg) - The retired hero modeled on Blue Beetle
Silk Spectre II (Laurel Juspeczyk) - Second-generation hero following in her mother's footsteps
Ozymandias (Adrian Veidt) - The "smartest man in the world" and retired hero turned billionaire
The Comedian (Edward Blake) - Government operative whose death drives the plot (appears in flashback/death scene)
Hollis Mason (Nite Owl I) - The original Nite Owl, now retired and running an auto shop
Seven significant first appearances in a single issue is remarkable by any standard, and several of these characters have since appeared in other DC properties, television adaptations, and films.
Publication Details
| Detail | Information |
|---|---|
| Publisher | DC Comics |
| Cover Date | September 1986 |
| On-Sale Date | May 13, 1986 |
| Cover Price | $1.50 |
| Page Count | 36 pages |
| Story Title | "At Midnight, All the Agents..." |
| Writer | Alan Moore |
| Artist | Dave Gibbons |
| Colorist | John Higgins |
| Editor | Len Wein |
| Format | Standard comic, saddle-stitched |
Identifying a First Printing
Watchmen #1 has been reprinted many times as part of trade paperback collections, but the original single issue is what collectors want. Here's what to look for:
Cover price of $1.50 in the upper left corner
"1" in a circle on the cover indicating issue number
DC Comics bullet logo from the mid-1980s era
No trade dress variations or modern DC logos
Standard newsprint interior pages with the slightly rough texture typical of mid-1980s comics
Back cover advertisements from 1986 (these varied by print run and distribution)
The cover itself features the blood-stained smiley face button lying in a gutter, with a hand reaching down toward it. This simple, arresting image, rendered by Dave Gibbons, has become one of the most recognized covers in comics history.
Condition Guide and Value Table
Watchmen #1 had a large print run for its era. DC pushed the series hard, and the creative team's reputation ensured strong initial orders from retailers. That said, high-grade copies are always in demand.
| Grade | Condition | Estimated Value |
|---|---|---|
| CGC 9.8 (NM/MT) | Near perfect, white pages | $400 - $600 |
| CGC 9.6 (NM+) | Minor imperfections only | $200 - $350 |
| CGC 9.4 (NM) | Near Mint with slight wear | $120 - $200 |
| CGC 9.2 (NM-) | Overstreet 2024 guide value | ~$95 |
| CGC 8.0 (VF) | Light wear, still sharp | $40 - $60 |
| CGC 6.0 (FN) | Average used condition | $20 - $35 |
| Raw (ungraded, VF+) | Typical nice copy | $30 - $50 |
Condition Grades Explained
Gem Mint (10.0): Virtually nonexistent for this issue. Would command a massive premium if one surfaced.
Near Mint/Mint (9.8): The practical ceiling for most collectors. White pages are strongly preferred and add a premium over off-white pages.
Near Mint+ (9.6): An excellent grade that offers strong presentation at a lower price point than 9.8. Sweet spot for many collectors.
Very Fine (8.0): A solid reading copy that still displays well. Minor spine stress and corner blunting are typical.
Fine (6.0): An affordable entry point. Expect visible wear but no major defects.
Market Trends and Investment Outlook
Watchmen #1 has shown steady long-term appreciation with periodic spikes tied to media adaptations. The 2009 Zack Snyder film gave prices a boost. The critically acclaimed 2019 HBO television series, which served as a sequel to the original comic, triggered another surge in interest.
The CGC 9.8 grade has traded around $400 to $600 in recent years, with some variance depending on page quality (white pages command a premium) and auction platform. Heritage Auctions has been a consistent venue for high-grade sales, with Overstreet listing the 2024 NM- 9.2 value at $95.
Several factors support continued demand:
Literary prestige: Its inclusion on Time's best-novels list gives it cultural cachet beyond the comic collecting community
Multiple media adaptations: The film, HBO series, and video game keep introducing new audiences to the property
Alan Moore's legacy: Moore's refusal to participate in sequels or adaptations has created an aura of artistic integrity around the original work
Key issue density: Seven first appearances in one issue is an exceptional concentration of collectible value
What to Watch Out For
The biggest risk when buying Watchmen #1 is overpaying for a lower grade. Because the print run was relatively large, patience usually rewards the buyer. A CGC 9.6 can often be found at auction for under $300, which represents strong value given the issue's importance.
Watch for:
Color-breaking spine ticks: Common on books from this era due to the thicker card stock covers
Manufacturing defects: Some copies had slight miscuts or ink density variations from the printer
Pressing and cleaning: Some sellers have books pressed and cleaned before submission to CGC, which can improve grades but is a standard and accepted practice
The Broader Watchmen Collectibles Market
While #1 is the flagship issue, the entire 12-issue run has collectible value, particularly in high grade. Issue #1 commands the highest premium due to its first appearances, but issues featuring key plot moments also attract interest.
The 1987 trade paperback collection has been through dozens of printings. First printing trade paperbacks in excellent condition can fetch $50 to $100. The 1988 Graphitti Designs limited-edition slipcased hardcover, which included 48 pages of bonus material including Moore's original proposal and concept art, commands $200 to $500 depending on condition.
The 2005 Absolute Watchmen edition is another collectible format, offering oversized reproductions of Gibbons' art with recoloring supervised by the artist himself.
Why Watchmen #1 Belongs in Every Serious Collection
There are certain comics that transcend the hobby and become genuine cultural artifacts. Action Comics #1 introduced Superman. Amazing Fantasy #15 gave us Spider-Man. And Watchmen #1 proved that the superhero comic could be literature.
For the modern age collector, this is about as blue-chip as it gets. The creative pedigree is unimpeachable. The cultural significance is undeniable. The market has proven its long-term stability across multiple collecting cycles. And at current prices, a high-grade copy remains accessible compared to golden and silver age keys that regularly sell for five and six figures.
Whether you're building a comprehensive DC collection, assembling a shelf of the medium's greatest achievements, or simply want to own a piece of comics history, Watchmen #1 earns its place.
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