Amazing Spider-Man #50 (1967, Spider-Man No More)
There are covers that define an era of comics, and then there is Amazing Spider-Man #50. John Romita Sr.'s image of Peter Parker walking away from his Spider-Man costume, discarded in a trash can, is one of the most reproduced, parodied, and referenced images in comic book history. The issue, cover-dated July 1967, contains the legendary "Spider-Man No More!" story by Stan Lee and Romita, a tale that has been revisited, referenced, and adapted countless times across five decades of Spider-Man media. It also features the first appearance of Wilson Fisk, the Kingpin, one of Marvel's most enduring villains.
This is a double-key issue: a landmark story and a major first appearance in a single package. That combination, wrapped in one of the most famous covers ever drawn, makes Amazing Spider-Man #50 one of the most important Silver Age Marvel comics in existence.
The Story
"Spider-Man No More!" follows Peter Parker at a breaking point. Burdened by the constant demands of being Spider-Man, struggling to maintain his grades at Empire State University, worried about Aunt May's health, and frustrated by the public's distrust of Spider-Man (thanks largely to J. Jonah Jameson's Daily Bugle editorials), Peter makes the decision to quit. He throws his costume in a garbage can and walks away.
The image of that abandoned costume, slumped in a trash can in a dark alley, became the issue's defining moment. Romita's composition perfectly captured the weight of Peter's decision and the loneliness of giving up a purpose that defines you.
Of course, Peter cannot stay retired. When crime escalates in Spider-Man's absence and innocent people are endangered, Peter realizes that with great power comes great responsibility. He retrieves the costume and returns to action, now with a renewed understanding of why he does what he does.
First Appearance of the Kingpin
Amid the "Spider-Man No More" storyline, Stan Lee and John Romita introduced Wilson Fisk, the Kingpin of Crime. Fisk is presented as a massive, physically imposing crime lord who seizes control of New York's underworld during Spider-Man's absence.
The Kingpin would go on to become one of Marvel's greatest villains, eventually becoming more closely associated with Daredevil than Spider-Man. His appearances span decades of comics, multiple animated series, and notable live-action portrayals, including Michael Clarke Duncan in the 2003 Daredevil film and Vincent D'Onofrio in the Netflix Daredevil series and subsequent MCU appearances.
Publication Details
Title: The Amazing Spider-Man #50
Publisher: Marvel Comics
Cover Date: July 1967
Cover Price: $0.12
Writer: Stan Lee
Penciler: John Romita Sr.
Inker: Mickey Demeo (Mike Esposito)
Story Title: "Spider-Man No More!"
Pages: 20 story pages
The Cover
The cover of Amazing Spider-Man #50 is universally regarded as one of the top five comic book covers ever created. The composition shows Peter Parker walking away from the viewer, head bowed, while a ghostly image of Spider-Man looms behind him. In the foreground, the discarded Spider-Man costume lies crumpled in a trash can.
The genius of the cover is its emotional clarity. Without reading a single word, the viewer understands the story: a man walking away from his heroic identity. It has been homaged and parodied hundreds of times across comics, film, television, and other media.
The cover was directly referenced in Sam Raimi's Spider-Man 2 (2004), where Tobey Maguire's Peter Parker walks away from his costume in a trash can in an almost frame-for-frame recreation.
Current Market Values (2024-2026)
| Grade | Estimated Value |
|---|---|
| CGC 9.8 (Near Mint/Mint) | $150,000 - $250,000+ |
| CGC 9.6 (Near Mint+) | $60,000 - $100,000 |
| CGC 9.4 (Near Mint) | $30,000 - $50,000 |
| CGC 9.2 (Near Mint-) | $18,000 - $30,000 |
| CGC 9.0 (Very Fine/Near Mint) | $12,000 - $20,000 |
| CGC 8.0 (Very Fine) | $5,000 - $9,000 |
| CGC 7.0 (Fine/Very Fine) | $3,000 - $5,000 |
| CGC 6.0 (Fine) | $1,800 - $3,000 |
| CGC 4.0 (Very Good) | $800 - $1,500 |
| CGC 2.0 (Good) | $400 - $700 |
| Raw (estimated VG-FN) | $500 - $1,500 |
Condition Grading
Key grading factors for ASM #50:
Cover Quality: The predominantly blue/gray cover shows handling wear easily. The white areas of Peter's shirt show dirt and foxing readily.
Spine: Stress lines along the spine are common. A clean spine is essential for high grades.
Color Strike: The cover printing should be sharp with rich colors, particularly the blue tones.
Marvel Chipping: Some copies exhibit cover chipping along the edges, a known issue with certain Marvel printings from this era.
Page Quality: Off-white to white pages are standard. White pages carry a premium at CGC 9.0+.
Staple Condition: Staples should be clean, centered, and rust-free.
Cultural Impact
The "Spider-Man No More" story has been adapted multiple times:
Spider-Man 2 (2004): The Sam Raimi film directly adapts the story, with the trash can scene becoming one of the film's most memorable moments
Spider-Man: The Animated Series: The 1990s animated show adapted the storyline
Comics: The story has been revisited and referenced numerous times in Spider-Man comics, including during the "Superior Spider-Man" era and various anniversary issues
Pop Culture: The trash can image has become shorthand for "quitting" in popular culture, referenced in everything from editorial cartoons to internet memes
Investment Analysis
Strengths:
Double key (story landmark + first Kingpin) provides two independent value drivers
One of the most famous covers in comic history
Spider-Man is the most popular comic book character worldwide
The Kingpin's MCU prominence adds a media catalyst
Silver Age Marvel keys have shown consistent long-term appreciation
Weaknesses:
High-grade copies (9.4+) are scarce and expensive
The broader comic market can be cyclical
Print run was modest but not tiny (estimated 350,000-400,000 copies)
Why Amazing Spider-Man #50 Matters
This issue captures everything that makes Spider-Man the greatest superhero in comics: the struggle between duty and desire, the weight of responsibility, and the ultimate choice to do what is right despite the personal cost. The cover alone secures this issue's place in comic book history, but the story, the first Kingpin appearance, and the enduring cultural impact make it essential. It is a comic that transcends collecting and enters the realm of American storytelling.
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